Source: Show Moman (Internet Live Show), Hosted by Aristode Louis and Pierre Senécharles
On a recent episode of Show Moman, hosts Aristode Louis and Pierre Senécharles delved into the significance of a timeless Haitian proverb: “Mwen pap rele chien papa pou zo” (I won’t call a dog ‘father’ just because it can give me a bone). This ancient wisdom offers a rich tapestry for analysis, inviting us to explore the intricacies of relationships, authority, and discernment in Haitian politics, business, and music.
The proverb’s literal meaning cautions against confusing providers with true authority figures or mentors. However, its depth lies in the nuances of human relationships and the dangers of misplaced respect. In a world where kindness and favors can be fleeting, it’s essential to distinguish between genuine connections and transactional relationships.
This wisdom is particularly relevant in the context of Haitian politics and business, as exemplified by former President Michel Martelly’s controversial administration. Despite his charm and charisma, Martelly’s actions undermined the trust and respect of the Haitian people. Allegations of corruption, embezzlement, and cronyism marred his administration, including the PetroCaribe scandal.
The Haitian Music Industry (HMI) faces a moral dilemma with Martelly’s potential return to the public stage. Guilt by association is a legal principle that holds individuals accountable for their associations with others who have engaged in wrongdoing. In Martelly’s case, his alleged involvement in corruption and embezzlement makes him a risky association for the HMI.
Notably, Joseph Junior Zenny, also known as TJO, has publicly stated that he will perform with Martelly anytime he is called upon to do so, demonstrating a lack of discernment and critical thinking. This stance is particularly concerning given the allegations against Martelly. Pierre Enestil’s analysis highlights the need for TJO to take a stand against Martelly’s actions, rather than endorsing them through his performances.
In accordance with Haitian law, specifically Article 13 of the Haitian Constitution, which guarantees the right to freedom of expression, the HMI must balance this right with the need to protect the public from harmful associations. Furthermore, the US-Haiti Mutual Legal Assistance Treaty (MLAT) enables cooperation in criminal investigations, including those related to corruption and embezzlement.
Additionally, TJO’s decision to perform with Martelly may be seen as a violation of Haiti’s Anti-Corruption Law (Loi No. 2008-012 du 27 août 2008), which prohibits individuals from engaging in activities that facilitate or support corrupt practices. The US Foreign Corrupt Practices Act (FCPA) may also be applicable in this case, as it prohibits US entities and individuals from engaging in corrupt practices abroad.
In conclusion, “Mwen pap rele chien papa pou zo” offers timeless wisdom that transcends cultural boundaries. By embracing discernment and critical thinking, we can cultivate authentic connections, avoid misplaced respect, and grow into more thoughtful, empathetic individuals. The HMI must prioritize the moral obligation to demand good conduct from former musicians and avoid guilt by association with individuals like Martelly. The US must also take concrete steps to address allegations of wrongdoing and hold those responsible accountable. Only through collective action can we ensure that good music does not come at the expense of justice and accountability.
Samuel Georges
